Cycnos | Volume 12.2 - Nabokov: At the Crossroads of Modernism and Postmodernism
Volume 12.2 - Nabokov: At the Crossroads of Modernism and Postmodernism
Sous la direction de Maurice Couturier
juin 1995
Maurice Couturier : Introduction
Brian Boyd : Words, Works and Worlds in Joyce and Nabokov
Laurent Milesi : Dead on Time? Nabokov’s “Post” to the Letter
Christine Raguet-Bouvart : Riverruning acrostically through “The Vane Sisters” and “A.L.P.,” or “genealogy on its head”
Maurice Couturier : Censorship and the Authorial Figure in Ulysses and Lolita
Alexander Dolinin : Caning of Modernist Profaners: Parody in Despair
Wladimir Troubetzkoy : Vladimir Nabokov’s Despair: The Reader as “April’s Fool”
Simon Karlinsky : Nabokov and Some Poets of Russian Modernism
Julian W. Connolly : Cincinnatus and Différance: Subversive Discourse in Invitation to a Beheading
Suzanne Fraysse : Worlds Under Erasure: Lolita and Postmodernism
Don Barton Johnson : Nabokov, Ayn Rand, and Russian-American Literature or, the Odd Couple
John Burt Foster : Parody, Pastiche, and Periodization: Nabokov/Jameson
Herbert Grabes : A Prize for the (Post-)Modernist Nabokov
Jane Grayson : Nabokov and Perec
Geoffrey Green : Beyond Modernism and Postmodernism: Vladimir Nabokov’s Fiction of Transcendent Perspective
Susan Elizabeth Sweeney : The V-Shaped Paradigm: Nabokov and Pynchon
Dmitri Nabokov : White nights, forty degrees celsius