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Law, the Word of God and Subversion in Margaret Atwood's The Handmaid's Tale - Cycnos
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Lire Couturier - Cycnos
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Postface à La Figure de l’auteur - Cycnos
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Volume 4 - De la normalité - Cycnos
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Volume 3 - Les sujets de la lettre - Cycnos
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Volume 14.2 - La problématique de l'auteur - Cycnos
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Volume 12.2 - Nabokov: At the Crossroads of Modernism and Postmodernism - Cycnos
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Introduction - Cycnos
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Free Indirect Style and Interior Monologue Revisited - Cycnos
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« Do I Know You ? » : author-reader relationship in The Crying of Lot 49 - Cycnos
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Introduction - Cycnos
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Yours Faithfully, the Author - Cycnos
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Introduction - Cycnos
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Introduction - Cycnos
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Introduction - Cycnos
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Volume 24.1 - Vladimir Nabokov, Annotating vs Interpreting Nabokov - Cycnos
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The Distinguished Writer vs the Child - Cycnos
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Annexe : "Fiction and Censorship in the U.S.: A Chronology and a Bibliography" - Cycnos
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Censorship and the Authorial Figure in Ulysses and Lolita - Cycnos
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Hommage à André Viola - Cycnos
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John Cleland contre John McClellan : roman et censure aux É. U., 1957-1977 - Cycnos
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La bataille du livre et la naissance du roman anglais - Cycnos
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Style and the Figure of the Author: F. Scott Fitzgerald’s Textual Identity and the Role of Rhetoric and Borrowed Narrative Technique in its Construction - Cycnos
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History and Allegory in Margaret Atwood’s Oryx and Crake - Cycnos
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Comités - Loxias
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“Annotating vs. Interpreting Nabokov: The Author as a Helper or a Screen?” - Cycnos
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Comités - Loxias-Colloques
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Non, la figure de l’auteur n’est pas une figure imposée - Cycnos
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Finding the “Real” Key to Lolita: A Modest Proposal - Cycnos
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Knowledge and the Author: The Intentional Fallacy Revisted and (Perhaps) Removed - Cycnos
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Renseignements - Cycnos
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